Posts Tagged ‘ Madeline von Foerster ’

The Golden Toad Exhibition – Madeline von Foerster

July 5th, 2011 - Leo Plaw The Golden Toad exhibition - Madeline von Foerster

Madeline von Foerster‘s new series of paintings envisions fairytales of the future. Stylistically, these artworks suggest the rich paintings from the School of Fontainebleau, a sixteenth century efflorescence of French Art, which exalted the enchanted forest.

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Madeline von Foerster Interview 2010

June 27th, 2011 - Leo Plaw

Just a couple of days after the opening of Madeline von Foerster‘s Reliquaries exhibition at Strychnin Gallery, Berlin, Fantastic Visions recorded this interview with her.

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Portrait Madeline von Foerster

February 18th, 2011 - Leo Plaw

An interview with New York based artist, Madeline von Foerster about “The Red Thread” – the key painting of her 2010 solo exhibition “Reliquaries” at Strychnin Gallery, Berlin.

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Reliquaries – New Artwork – Madeline von Foerster

November 1st, 2010 - Leo Plaw The Red Thread - Madeline Von Foerster

Madeline von Foerster‘s new series of artworks grows out of the artist’s fascination with reliquaries: the jewel‐covered statues and treasure chests where remains of sainted persons ‐ from bones, to scraps of clothing, to vials of blood ‐ are enshrined. Old, beautiful, and mysterious, reliquaries often become objects of worship themselves.

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Madeline Von Foerster – Waldkammer – Strychnin Gallery Exhibition

November 8th, 2008 - Leo Plaw Madeline Von Foerster at her Strychnin Gallery Berlin exhibition with her painting “Amazon Cabinet” in the background.

Madeline Von Foerster‘s “Waldkammer” series consists of nine paintings that explore humanity’s often destructive relationship with nature will be on exhibit at Strychnin Gallery in Berlin.

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Madeline Von Foerster’s Amazon Cabinet

October 23rd, 2008 - Leo Plaw Madeline Von Foerster in her studio with her painting “Amazon Cabinet” in the background.

The most entertaining story was how one of Madeline Von Foerster‘s artworks, “Amazon Cabinet” was held by customs in Frankfurt Germany, because they thought that it was an Old Master’s artwork and not painted by a living 36 year old American artist.

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